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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area; the most populous country from June 2023 onwards; and since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 1 Devikarani Priscilla Sewpal Jana (5 December 1943 – 10 October 2020) was a South African human rights lawyer, politician and diplomat. As a member of the African National Congress (ANC) during the anti-apartheid movement, she participated in both legal activism as well as in the underground movement to end apartheid. She represented many significant figures in the movement, including South African president Nelson Mandela, Winnie Madikizela-Mandela, Steve Biko, Govan Mbeki, Walter Sisulu, and Archbishop Desmond Tutu. Jana was one of the very few South Africans who had access to political prisoners, including Mandela, in the maximum security Robben Island prison, and served as an emissary for coded messages between the political prisoners and the ANC leadership. Jana's activism made her subject to violent harassment and an eventual banning order. Following the advent of full democracy in South Africa, she became a lawmaker and served as a Member of Parliament with the ANC between 1994 and 1999. She was also an ambassador of the South African government to the Netherlands and Ireland, and a commissioner with the South African Human Rights Commission. She was a member of the justice committee that was responsible for the roll-out of the South African Truth and Reconciliation Commission. (Full article...)
    Devikarani Priscilla Sewpal Jana (5 December 1943 – 10 October 2020) was a South African human rights lawyer, politician and diplomat. As a member of the African National Congress (ANC) during the anti-apartheid movement, she participated in both legal activism as well as in the underground movement to end apartheid. She represented many significant figures in the movement, including South African president Nelson Mandela, Winnie Madikizela-Mandela, Steve Biko, Govan Mbeki, Walter Sisulu, and Archbishop Desmond Tutu. Jana was one of the very few South Africans who had access to political prisoners, including Mandela, in the maximum security Robben Island prison, and served as an emissary for coded messages between the political prisoners and the ANC leadership.

    Jana's activism made her subject to violent harassment and an eventual banning order. Following the advent of full democracy in South Africa, she became a lawmaker and served as a Member of Parliament with the ANC between 1994 and 1999. She was also an ambassador of the South African government to the Netherlands and Ireland, and a commissioner with the South African Human Rights Commission. She was a member of the justice committee that was responsible for the roll-out of the South African Truth and Reconciliation Commission. (Full article...)
  • Image 2 Rajani Pandit (born 1962) is an Indian private investigator and entrepreneur from Maharashtra. Credited as the first female detective in India, in 1986 she started the Rajani Investigative Bureau, which by 2010 had grown to employ a staff of 30 detectives. Her firm primarily handles cases involving marital issues or suspected affairs, but also investigates missing persons, murder, and corporate espionage, and conducts background checks of political candidates. Pandit has authored two Marathi books on her experiences, Faces Behind Faces and Mayajal, and was the subject of the documentary Lady James Bond. In February 2018, Pandit was among several Indian private investigators arrested by police in connection with an alleged scam involving the illegal sale and purchase of call data records. She was released on bail after 40 days and denied all wrong-doing. (Full article...)
    Rajani Pandit (born 1962) is an Indian private investigator and entrepreneur from Maharashtra. Credited as the first female detective in India, in 1986 she started the Rajani Investigative Bureau, which by 2010 had grown to employ a staff of 30 detectives. Her firm primarily handles cases involving marital issues or suspected affairs, but also investigates missing persons, murder, and corporate espionage, and conducts background checks of political candidates. Pandit has authored two Marathi books on her experiences, Faces Behind Faces and Mayajal, and was the subject of the documentary Lady James Bond.

    In February 2018, Pandit was among several Indian private investigators arrested by police in connection with an alleged scam involving the illegal sale and purchase of call data records. She was released on bail after 40 days and denied all wrong-doing. (Full article...)
  • Image 3 Theatrical release poster in Madras Bhakta Prahlada (transl. Prahlada, the devotee) is a 1932 Indian Telugu-language Hindu mythological film directed by H. M. Reddy and produced by Ardeshir Irani of Imperial Film Company. It is the first sound film of Telugu cinema. It features Sindhoori Krishna Rao as the titular Prahlada, along with Munipalle Subbayya, Surabhi Kamalabai, Doraswamy Naidu, Chitrapu Narasimha Rao, and L. V. Prasad. No complete synopsis of the film is known to survive, but it is an adaptation of a play of the same name. Having achieved success in Hindi cinema by releasing India's first sound film Alam Ara in 1931, Irani wanted to expand his scope to South Indian cinema. Bhakta Prahlada was released on 6 February 1932, and was positively received by the audience but variedly by critics, who panned its resemblance to the stage version, poor sound recording, and low-quality images. It is now lost; surviving artefacts include a few stills, advertisements, and reviews. (Full article...)

    Theatrical release poster in Madras

    Bhakta Prahlada (transl. Prahlada, the devotee) is a 1932 Indian Telugu-language Hindu mythological film directed by H. M. Reddy and produced by Ardeshir Irani of Imperial Film Company. It is the first sound film of Telugu cinema. It features Sindhoori Krishna Rao as the titular Prahlada, along with Munipalle Subbayya, Surabhi Kamalabai, Doraswamy Naidu, Chitrapu Narasimha Rao, and L. V. Prasad. No complete synopsis of the film is known to survive, but it is an adaptation of a play of the same name.

    Having achieved success in Hindi cinema by releasing India's first sound film Alam Ara in 1931, Irani wanted to expand his scope to South Indian cinema. Bhakta Prahlada was released on 6 February 1932, and was positively received by the audience but variedly by critics, who panned its resemblance to the stage version, poor sound recording, and low-quality images. It is now lost; surviving artefacts include a few stills, advertisements, and reviews. (Full article...)
  • Image 4 The Battle of Tellicherry was a naval action fought off the Indian port of Tellicherry between British and French warships on 18 November 1791 during the Third Anglo-Mysore War. Britain and France were not at war at the time of the engagement, but French support for the Kingdom of Mysore in the conflict with the British East India Company had led to Royal Navy patrols stopping and searching French ships sailing for the Mysorean port of Mangalore. When a French convoy from Mahé passed the British port of Tellicherry in November 1791, Commodore William Cornwallis sent a small squadron to intercept the French ships. As the British force under Captain Sir Richard Strachan approached the convoy, the escorting frigate Résolue opened fire. A general action followed, with Strachan succeeding in forcing the French ship to surrender within twenty minutes and both sides suffering damage and casualties. All of the French vessels were searched and subsequently returned to Mahé, the local French authorities reacting furiously at what they perceived as a violation of their neutral position. Messages were sent from Commodore Saint-Félix back to France reporting the action but they evoked little response. Although under normal circumstances the battle might have provoked a diplomatic incident, the upheavals of the ongoing French Revolution meant that the despatches had little effect. (Full article...)
    The Battle of Tellicherry was a naval action fought off the Indian port of Tellicherry between British and French warships on 18 November 1791 during the Third Anglo-Mysore War. Britain and France were not at war at the time of the engagement, but French support for the Kingdom of Mysore in the conflict with the British East India Company had led to Royal Navy patrols stopping and searching French ships sailing for the Mysorean port of Mangalore. When a French convoy from Mahé passed the British port of Tellicherry in November 1791, Commodore William Cornwallis sent a small squadron to intercept the French ships.

    As the British force under Captain Sir Richard Strachan approached the convoy, the escorting frigate Résolue opened fire. A general action followed, with Strachan succeeding in forcing the French ship to surrender within twenty minutes and both sides suffering damage and casualties. All of the French vessels were searched and subsequently returned to Mahé, the local French authorities reacting furiously at what they perceived as a violation of their neutral position. Messages were sent from Commodore Saint-Félix back to France reporting the action but they evoked little response. Although under normal circumstances the battle might have provoked a diplomatic incident, the upheavals of the ongoing French Revolution meant that the despatches had little effect. (Full article...)
  • Image 5 A 14th-century statue of Varahi from Nepal Varahi (Sanskrit: वाराही, IAST:Vārāhī) is one of the Matrikas, a group of seven mother goddesses in the Hindu religion who bears the head of a sow. In Nepal, she is called Barahi. In Rajasthan and Gujarat, she is venerated as Dandini. Varahi is more commonly venerated in the sect of the Goddess-oriented Shaktism, but also in Shaivism (devotees of Shiva) and Vaishnavism (devotees of Vishnu). She is usually worshipped at night, using secretive Vamamarga Tantric practices. Her forms can be seen in Buddhism as well, like the Buddhist goddesses Vajravārāhī and Marichi. (Full article...)

    A 14th-century statue of Varahi from Nepal

    Varahi (Sanskrit: वाराही, IAST:Vārāhī) is one of the Matrikas, a group of seven mother goddesses in the Hindu religion who bears the head of a sow. In Nepal, she is called Barahi. In Rajasthan and Gujarat, she is venerated as Dandini.

    Varahi is more commonly venerated in the sect of the Goddess-oriented Shaktism, but also in Shaivism (devotees of Shiva) and Vaishnavism (devotees of Vishnu). She is usually worshipped at night, using secretive Vamamarga Tantric practices. Her forms can be seen in Buddhism as well, like the Buddhist goddesses Vajravārāhī and Marichi. (Full article...)
  • Image 6 Cornelia Sorabji at the Braemar Gathering in 1924 Cornelia Sorabji (15 November 1866 – 6 July 1954) was an Indian lawyer, social reformer and writer. She was the first female graduate from Bombay University, and the first woman to study law at Oxford University. Returning to India after her studies at Oxford, Sorabji became involved in social and advisory work on behalf of the purdahnashins, women who were forbidden to communicate with the outside male world, but she was unable to defend them in court since, as a woman, she did not hold professional standing in the Indian legal system. Hoping to remedy this, Sorabji presented herself for the LLB examination of Bombay University in 1897 and the pleader's examination of Allahabad High Court in 1899. She became the first female advocate in India but would not be recognised as a barrister until the law which barred women from practising was changed in 1923. She was involved with several social service campaigning groups, including the National Council for Women in India, the Federation of University Women, and the Bengal League of Social Service for Women. She opposed the imposition of Western perspectives on the movement for women's change in India, and took a cautious approach to social reform, opposing rapid change. Sorabji believed that until all women were educated, political reform would not be of genuine lasting value. She supported the British Raj, and purdah for upper-caste Hindu women, and opposed Indian self-rule. Her views prevented her obtaining the support needed to undertake later social reforms. Sorabji authored multiple publications, which were influential in the early 20th century. (Full article...)

    Cornelia Sorabji at the Braemar Gathering in 1924

    Cornelia Sorabji (15 November 1866 – 6 July 1954) was an Indian lawyer, social reformer and writer. She was the first female graduate from Bombay University, and the first woman to study law at Oxford University. Returning to India after her studies at Oxford, Sorabji became involved in social and advisory work on behalf of the purdahnashins, women who were forbidden to communicate with the outside male world, but she was unable to defend them in court since, as a woman, she did not hold professional standing in the Indian legal system. Hoping to remedy this, Sorabji presented herself for the LLB examination of Bombay University in 1897 and the pleader's examination of Allahabad High Court in 1899. She became the first female advocate in India but would not be recognised as a barrister until the law which barred women from practising was changed in 1923.

    She was involved with several social service campaigning groups, including the National Council for Women in India, the Federation of University Women, and the Bengal League of Social Service for Women. She opposed the imposition of Western perspectives on the movement for women's change in India, and took a cautious approach to social reform, opposing rapid change. Sorabji believed that until all women were educated, political reform would not be of genuine lasting value. She supported the British Raj, and purdah for upper-caste Hindu women, and opposed Indian self-rule. Her views prevented her obtaining the support needed to undertake later social reforms. Sorabji authored multiple publications, which were influential in the early 20th century. (Full article...)
  • Image 7 Don: The Chase Begins Again, better known simply as Don, is a 2006 Indian Hindi-language action thriller film directed by Farhan Akhtar. The film was produced by Ritesh Sidhwani and Akhtar's production company Excel Entertainment. The film stars Shah Rukh Khan as the titular anti-hero and Priyanka Chopra as Roma, while Arjun Rampal, Isha Koppikar, Boman Irani, Pavan Malhotra, and Om Puri appears in supporting roles. Kareena Kapoor makes a special appearance. Don is a remake of the 1978 film of the same title, and follows the titular criminal's look-alike who has been sent on a clandestine mission to impersonate Don after he is wounded in a chase, and to gather intelligence on the drug mafia. In remaking the film from a new perspective, Akhtar wanted to give a contemporary style and treatment to the original film and make a film that he believed would be perfectly suited to modern times. The director later bought the rights and conceived his adaptation as an homage to the original film and its cast and crew, and to the 1970s era in general. He co-wrote the screenplay with his father, Javed Akhtar, who had also written the original script with Salim Khan. He kept the basic plot but introduced some changes that included an international setting and a different ending. Principal photography commenced in Mumbai, before moving to Malaysia, where 80% of the filming was done. The soundtrack was composed by Shankar–Ehsaan–Loy, with lyrics by Javed Akhtar. (Full article...)
    Don: The Chase Begins Again, better known simply as Don, is a 2006 Indian Hindi-language action thriller film directed by Farhan Akhtar. The film was produced by Ritesh Sidhwani and Akhtar's production company Excel Entertainment. The film stars Shah Rukh Khan as the titular anti-hero and Priyanka Chopra as Roma, while Arjun Rampal, Isha Koppikar, Boman Irani, Pavan Malhotra, and Om Puri appears in supporting roles. Kareena Kapoor makes a special appearance. Don is a remake of the 1978 film of the same title, and follows the titular criminal's look-alike who has been sent on a clandestine mission to impersonate Don after he is wounded in a chase, and to gather intelligence on the drug mafia.

    In remaking the film from a new perspective, Akhtar wanted to give a contemporary style and treatment to the original film and make a film that he believed would be perfectly suited to modern times. The director later bought the rights and conceived his adaptation as an homage to the original film and its cast and crew, and to the 1970s era in general. He co-wrote the screenplay with his father, Javed Akhtar, who had also written the original script with Salim Khan. He kept the basic plot but introduced some changes that included an international setting and a different ending. Principal photography commenced in Mumbai, before moving to Malaysia, where 80% of the filming was done. The soundtrack was composed by Shankar–Ehsaan–Loy, with lyrics by Javed Akhtar. (Full article...)
  • Image 8 The Kandariya Mahadeva Temple (Devanagari: कंदारिया महादेव मंदिर, Kandāriyā Mahādeva Mandir), meaning "the Great God of the Cave", is the largest and most ornate Hindu temple in the medieval temple group found at Khajuraho in Madhya Pradesh, India. It is considered one of the best examples of temples preserved from the medieval period in India. Because of its outstanding preservation and testimony to the Chandela culture, the temple was inscribed on the UNESCO World Heritage List in 1986. (Full article...)

    The Kandariya Mahadeva Temple (Devanagari: कंदारिया महादेव मंदिर, Kandāriyā Mahādeva Mandir), meaning "the Great God of the Cave", is the largest and most ornate Hindu temple in the medieval temple group found at Khajuraho in Madhya Pradesh, India. It is considered one of the best examples of temples preserved from the medieval period in India. Because of its outstanding preservation and testimony to the Chandela culture, the temple was inscribed on the UNESCO World Heritage List in 1986. (Full article...)
  • Image 9 Geet Ramayan (Marathi: गीत रामायण, English: The Ramayana in Songs) is a collection of 56 Marathi language songs chronologically describing events from the Indian Hindu epic, the Ramayana. It was broadcast by All India Radio, Pune in 1955–1956, four years before television was introduced in India. Written by G. D. Madgulkar and the songs being composed by Sudhir Phadke, Geet Ramayan was acclaimed for its lyrics, music and singing. It is considered a "milestone of Marathi light music" and the "most popular" Marathi version of Ramayana. The team of Madgulkar and Phadke presented a new song every week for a year with every song being aired first on a Friday morning and then again on Saturday and Sunday morning, between 8:45 AM and 9:00 AM IST. The program's first song "Kuśa Lava Rāmāyaṇ Gātī" was aired on 1 April 1955. Though Geet Ramayan is based on sage Valmiki's epic Ramayana, Madgulkar chose a different narrative format and was praised for the lyrics, and was called Ādhunik Valmiki (the modern Valmiki). The Geet Ramayan is considered as "the crescendo of Madgulkar's literary vigour". Phadke mainly used ragas of Hindustani classical music to compose the songs. He also selected the raga and the Tāla of a song to suit the time of the incident and the narrative mood. The poet and composer were praised for their contribution to the series. (Full article...)
    Geet Ramayan (Marathi: गीत रामायण, English: The Ramayana in Songs) is a collection of 56 Marathi language songs chronologically describing events from the Indian Hindu epic, the Ramayana. It was broadcast by All India Radio, Pune in 1955–1956, four years before television was introduced in India. Written by G. D. Madgulkar and the songs being composed by Sudhir Phadke, Geet Ramayan was acclaimed for its lyrics, music and singing. It is considered a "milestone of Marathi light music" and the "most popular" Marathi version of Ramayana.

    The team of Madgulkar and Phadke presented a new song every week for a year with every song being aired first on a Friday morning and then again on Saturday and Sunday morning, between 8:45 AM and 9:00 AM IST. The program's first song "Kuśa Lava Rāmāyaṇ Gātī" was aired on 1 April 1955. Though Geet Ramayan is based on sage Valmiki's epic Ramayana, Madgulkar chose a different narrative format and was praised for the lyrics, and was called Ādhunik Valmiki (the modern Valmiki). The Geet Ramayan is considered as "the crescendo of Madgulkar's literary vigour". Phadke mainly used ragas of Hindustani classical music to compose the songs. He also selected the raga and the Tāla of a song to suit the time of the incident and the narrative mood. The poet and composer were praised for their contribution to the series. (Full article...)
  • Image 10 Company Havildar Major Piru Singh Shekhawat (20 May 1918 – 18 July 1948) was an Indian Army non-commissioned officer, awarded the Param Vir Chakra (PVC) posthumously, India's highest military decoration for gallantry. Singh enrolled in the British Indian Army on 20 May 1936, and was assigned to the 1st Punjab Regiment. Between 1940 and 1945, he served on the North-West Frontier and as an instructor, before deploying to Japan as part of the British Commonwealth Occupation Force. After independence, he took part in the Indo-Pakistani War of 1947, serving with the Indian Army's 6th Rajputana Rifles. During the battle, Singh was part of the leading section of a company that was assigned to capture a Pakistani post at Tithwal, in Jammu and Kashmir. Soon after their attack was launched, the company suffered heavy casualties. In time, Singh successfully occupied a Pakistani medium machine-gun post. But, by that time, the entire company lay dead or wounded. Singh was left alone to achieve the objective. He moved out and lobbed grenades at the next enemy post. Before moving to another trench, he received a mortal bullet wound to the head. (Full article...)
    Company Havildar Major Piru Singh Shekhawat (20 May 1918 – 18 July 1948) was an Indian Army non-commissioned officer, awarded the Param Vir Chakra (PVC) posthumously, India's highest military decoration for gallantry.

    Singh enrolled in the British Indian Army on 20 May 1936, and was assigned to the 1st Punjab Regiment. Between 1940 and 1945, he served on the North-West Frontier and as an instructor, before deploying to Japan as part of the British Commonwealth Occupation Force. After independence, he took part in the Indo-Pakistani War of 1947, serving with the Indian Army's 6th Rajputana Rifles. During the battle, Singh was part of the leading section of a company that was assigned to capture a Pakistani post at Tithwal, in Jammu and Kashmir. Soon after their attack was launched, the company suffered heavy casualties. In time, Singh successfully occupied a Pakistani medium machine-gun post. But, by that time, the entire company lay dead or wounded. Singh was left alone to achieve the objective. He moved out and lobbed grenades at the next enemy post. Before moving to another trench, he received a mortal bullet wound to the head. (Full article...)
  • Image 11 Major Somnath Sharma on a 2003 stamp of India Somnath Sharma, PVC (31 January 1923 – 3 November 1947), was an Indian military officer and the first recipient of India's highest military decoration, Param Vir Chakra (PVC), which he was awarded posthumously. Sharma was commissioned into the 4th Battalion, 19th Hyderabad Regiment, in 1942. He served in Burma during the Arakan Campaign in World War II, for which he was mentioned in despatches. Fighting in the Indo-Pakistani War of 1947-1948, Somnath Sharma was killed in action on 3 November 1947 while repulsing Pakistani infiltrators near Srinagar Airport. For his gallantry and sacrifice during the Battle of Badgam, he was posthumously awarded the Param Vir Chakra. (Full article...)

    Major Somnath Sharma on a 2003 stamp of India

    Somnath Sharma, PVC (31 January 1923 – 3 November 1947), was an Indian military officer and the first recipient of India's highest military decoration, Param Vir Chakra (PVC), which he was awarded posthumously.

    Sharma was commissioned into the 4th Battalion, 19th Hyderabad Regiment, in 1942. He served in Burma during the Arakan Campaign in World War II, for which he was mentioned in despatches. Fighting in the Indo-Pakistani War of 1947-1948, Somnath Sharma was killed in action on 3 November 1947 while repulsing Pakistani infiltrators near Srinagar Airport. For his gallantry and sacrifice during the Battle of Badgam, he was posthumously awarded the Param Vir Chakra. (Full article...)
  • Image 12 BGR-34 (Blood Glucose Regulator-34) is an Ayurvedic-derived product that is sold in India as an over-the-counter pill for the management of type 2 diabetes. It was developed in 2015 by two government-owned laboratories and launched commercially in 2016. It has been tested in only one, modest-sized, human trial. The drug has been heavily criticized, and without more clinical trials, its efficacy remains unproven. The manufacturers have refused to acknowledge the claims of inefficacy and other concerns. (Full article...)
    BGR-34 (Blood Glucose Regulator-34) is an Ayurvedic-derived product that is sold in India as an over-the-counter pill for the management of type 2 diabetes. It was developed in 2015 by two government-owned laboratories and launched commercially in 2016. It has been tested in only one, modest-sized, human trial. The drug has been heavily criticized, and without more clinical trials, its efficacy remains unproven. The manufacturers have refused to acknowledge the claims of inefficacy and other concerns. (Full article...)
  • Image 13 Magadheera (lit. 'The Heroic Man') is a 2009 Indian Telugu-language romantic fantasy action drama film co-written & directed by S. S. Rajamouli, based on a story by V. Vijayendra Prasad and with dialogues by M. Rathnam. Produced by Allu Aravind and B. V. S. N. Prasad under Geetha Arts, the film stars Ram Charan, Srihari, Kajal Aggarwal and Dev Gill. It is themed on reincarnation and eternal love. Made on a budget of ₹35–44 crore, Magadheera was the most expensive Telugu film at the time of its release. The film's production began on 2 March 2008, with principal photography commencing on 19 March 2008. The film's soundtrack and background score were composed by M. M. Keeravani, and cinematography by K. K. Senthil Kumar. The action sequences were choreographed by Peter Hein and the duo of Ram–Lakshman. It was the first Telugu film to list a "visual effects producer" in its credits. (Full article...)
    Magadheera (lit. 'The Heroic Man') is a 2009 Indian Telugu-language romantic fantasy action drama film co-written & directed by S. S. Rajamouli, based on a story by V. Vijayendra Prasad and with dialogues by M. Rathnam. Produced by Allu Aravind and B. V. S. N. Prasad under Geetha Arts, the film stars Ram Charan, Srihari, Kajal Aggarwal and Dev Gill. It is themed on reincarnation and eternal love.

    Made on a budget of ₹35–44 crore, Magadheera was the most expensive Telugu film at the time of its release. The film's production began on 2 March 2008, with principal photography commencing on 19 March 2008. The film's soundtrack and background score were composed by M. M. Keeravani, and cinematography by K. K. Senthil Kumar. The action sequences were choreographed by Peter Hein and the duo of Ram–Lakshman. It was the first Telugu film to list a "visual effects producer" in its credits. (Full article...)
  • Image 14 Statue of Vishnu carrying the Kaumodaki in his lower left arm Kaumodaki (Sanskrit: कौमोदकी, romanized: Kaumodakī, lit. 'captivator of the mind') is the gadā (mace) of the Hindu deity Vishnu. Vishnu is often depicted holding the Kaumodaki in one of his four hands; his other attributes are the chakra, the conch and the lotus. The gada is also found in the iconography of some of Vishnu's avatars. The name, 'Kaumodak' first appears in the Hindu epic Mahabharata, where it is associated with Vishnu's avatar, Krishna. The gada is depicted in images of Vishnu since c. 200 BCE. While initially unadorned, the size and shape of Kaumodaki vary in depictions. More elaborate design features like flutes and segments were added in depictions of Vishnu's gada. (Full article...)
    Statue of Vishnu carrying the Kaumodaki in his lower left arm




    Kaumodaki (Sanskrit: कौमोदकी, romanized: Kaumodakī, lit. 'captivator of the mind') is the gadā (mace) of the Hindu deity Vishnu. Vishnu is often depicted holding the Kaumodaki in one of his four hands; his other attributes are the chakra, the conch and the lotus. The gada is also found in the iconography of some of Vishnu's avatars.

    The name, 'Kaumodak' first appears in the Hindu epic Mahabharata, where it is associated with Vishnu's avatar, Krishna. The gada is depicted in images of Vishnu since c. 200 BCE. While initially unadorned, the size and shape of Kaumodaki vary in depictions. More elaborate design features like flutes and segments were added in depictions of Vishnu's gada. (Full article...)
  • Image 15 States and union territories in South India South India, also known as Southern India or Peninsular India, is the southern part of the Deccan Peninsula in India encompassing the states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and Telangana as well as the union territories of Lakshadweep and Puducherry, occupying 19.31% of India's area (635,780 km2 or 245,480 sq mi) and 20% of India's population. It is bound by the Bay of Bengal in the east, the Arabian Sea in the west and the Indian Ocean in the south. The geography of the region is diverse, with two mountain ranges, the Western and Eastern Ghats, bordering the plateau heartland. The Godavari, Krishna, Kaveri, Penna, Tungabhadra and Vaigai rivers are important non-perennial sources of water. Chennai, Bengaluru, Hyderabad, Coimbatore and Kochi are the largest urban areas in the region. The majority of the people in South India speak at least one of the four major Dravidian languages: Telugu, Tamil, Kannada and Malayalam. During its history, a number of dynastic kingdoms ruled over parts of South India, and shaped the culture in those regions. Major dynasties that were established in South India include the Cheras, Cholas, Pandyas, Pallavas, Satavahanas, Chalukyas, Hoysalas, Rashtrakutas and Vijayanagara. European countries entered India through Kerala and the region was colonized by Britain, Portugal and France. (Full article...)

    States and union territories in South India

    South India, also known as Southern India or Peninsular India, is the southern part of the Deccan Peninsula in India encompassing the states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and Telangana as well as the union territories of Lakshadweep and Puducherry, occupying 19.31% of India's area (635,780 km2 or 245,480 sq mi) and 20% of India's population. It is bound by the Bay of Bengal in the east, the Arabian Sea in the west and the Indian Ocean in the south. The geography of the region is diverse, with two mountain ranges, the Western and Eastern Ghats, bordering the plateau heartland. The Godavari, Krishna, Kaveri, Penna, Tungabhadra and Vaigai rivers are important non-perennial sources of water. Chennai, Bengaluru, Hyderabad, Coimbatore and Kochi are the largest urban areas in the region.

    The majority of the people in South India speak at least one of the four major Dravidian languages: Telugu, Tamil, Kannada and Malayalam. During its history, a number of dynastic kingdoms ruled over parts of South India, and shaped the culture in those regions. Major dynasties that were established in South India include the Cheras, Cholas, Pandyas, Pallavas, Satavahanas, Chalukyas, Hoysalas, Rashtrakutas and Vijayanagara. European countries entered India through Kerala and the region was colonized by Britain, Portugal and France. (Full article...)
  • Image 16 Nirmala is a Hindi novel written by Indian writer Munshi Premchand. The melodramatic novel is centered on Nirmala, a young girl who was forced to marry a widower of her father's age. The plot unfolds to reveal her husband's suspicion of a relationship between her and his eldest son, a suspicion that leads to the son's death. A poignant novel first published between 1925 and 1926, Nirmala's reformist agenda is transparent in its theme which deals with the question of dowry, and consequently mismatched marriages and related issues. The story uses fiction to highlight an era of much needed social reform in 1920s Indian society. Nirmala was serialised in Chand, a women's magazine in which the novel's feminist character was represented. Nirmala is somewhat like Godaan (published in 1936) in that it deals with the exploitation of the village poor, and Nandita (2016) in similarities of being shackled by society's narrow expectations of how a woman should be. Nirmala was translated by multiple scholarly translators. It was first translated in 1988 as The Second Wife by David Rubin, and in 1999 as Nirmala by Alok Rai, Premchand's grandson. (Full article...)
    Nirmala is a Hindi novel written by Indian writer Munshi Premchand. The melodramatic novel is centered on Nirmala, a young girl who was forced to marry a widower of her father's age. The plot unfolds to reveal her husband's suspicion of a relationship between her and his eldest son, a suspicion that leads to the son's death.

    A poignant novel first published between 1925 and 1926, Nirmala's reformist agenda is transparent in its theme which deals with the question of dowry, and consequently mismatched marriages and related issues. The story uses fiction to highlight an era of much needed social reform in 1920s Indian society. Nirmala was serialised in Chand, a women's magazine in which the novel's feminist character was represented. Nirmala is somewhat like Godaan (published in 1936) in that it deals with the exploitation of the village poor, and Nandita (2016) in similarities of being shackled by society's narrow expectations of how a woman should be. Nirmala was translated by multiple scholarly translators. It was first translated in 1988 as The Second Wife by David Rubin, and in 1999 as Nirmala by Alok Rai, Premchand's grandson. (Full article...)
  • Image 17 Mahadevi Verma (26 March 1907 – 11 September 1987) was an Indian Hindi-language poet, essayist, sketch story writer and an eminent personality of Hindi literature. She is considered one of the four major pillars of the Chhayawadi era in Hindi literature. She has also been addressed as the modern Meera. Poet Nirala had once called her "Saraswati in the vast temple of Hindi Literature". Verma witnessed India before and after its independence. She was one of those poets who worked for the wider society of India. Her poetry, along with her work towards social upliftment and women's welfare, were depicted in her writings. These works, especially her anthology Deepshikha, greatly influenced both readers and critics. She developed a soft vocabulary in the Hindi poetry of Khadi Boli, which before her was considered possible only in Braj Bhasha. She was well-versed in music. Her songs were characterised by a tone that conveyed sharp expressions in a nuanced and euphemistic style. She started her career as a teacher, who went on to become the principal of Prayag Mahila Vidyapeeth. Verma chose to live an ascetic life, despite being married. She was also a skilled painter and creative translator. She had the distinction of receiving all the important awards in Hindi literature. As the most popular female litterateur of the last century, she remained revered throughout her life. Her birth centenary was celebrated in 2007. Later, Google also celebrated this day through its Google Doodle. (Full article...)

    Mahadevi Verma (26 March 1907 – 11 September 1987) was an Indian Hindi-language poet, essayist, sketch story writer and an eminent personality of Hindi literature. She is considered one of the four major pillars of the Chhayawadi era in Hindi literature. She has also been addressed as the modern Meera. Poet Nirala had once called her "Saraswati in the vast temple of Hindi Literature". Verma witnessed India before and after its independence. She was one of those poets who worked for the wider society of India. Her poetry, along with her work towards social upliftment and women's welfare, were depicted in her writings. These works, especially her anthology Deepshikha, greatly influenced both readers and critics.

    She developed a soft vocabulary in the Hindi poetry of Khadi Boli, which before her was considered possible only in Braj Bhasha. She was well-versed in music. Her songs were characterised by a tone that conveyed sharp expressions in a nuanced and euphemistic style. She started her career as a teacher, who went on to become the principal of Prayag Mahila Vidyapeeth. Verma chose to live an ascetic life, despite being married. She was also a skilled painter and creative translator. She had the distinction of receiving all the important awards in Hindi literature. As the most popular female litterateur of the last century, she remained revered throughout her life. Her birth centenary was celebrated in 2007. Later, Google also celebrated this day through its Google Doodle. (Full article...)
  • Image 18 Statue of Moggallana, depicting his dark skin color (blue, black) at Mahamevnawa Buddhist Monastery, Malabe, Sri Lanka. Maudgalyāyana (Pali: Moggallāna), also known as Mahāmaudgalyāyana or by his birth name Kolita, was one of the Buddha's closest disciples. Described as a contemporary of disciples such as Subhuti, Śāriputra (Pali: Sāriputta), and Mahākāśyapa (Pali: Mahākassapa), he is considered the second of the Buddha's two foremost male disciples, together with Śāriputra. Traditional accounts relate that Maudgalyāyana and Śāriputra become spiritual wanderers in their youth. After having searched for spiritual truth for a while, they come into contact with the Buddhist teaching through verses that have become widely known in the Buddhist world. Eventually they meet the Buddha himself and ordain as monks under him. Maudgalyāyana attains enlightenment shortly after that. Maudgalyayana and Śāriputra have a deep spiritual friendship. They are depicted in Buddhist art as the two disciples that accompany the Buddha, and they have complementing roles as teachers. As a teacher, Maudgalyayana is known for his psychic powers, and he is often depicted using these in his teaching methods. In many early Buddhist canons, Maudgalyāyana is instrumental in re-uniting the monastic community after Devadatta causes a schism. Furthermore, Maudgalyāyana is connected with accounts about the making of the first Buddha image. Maudgalyāyana dies at the age of eighty-four, killed through the efforts of a rival sect. This violent death is described in Buddhist scriptures as a result of Maudgalyāyana's karma of having killed his own parents in a previous life. (Full article...)

    Statue of Moggallana, depicting his dark skin color (blue, black) at Mahamevnawa Buddhist Monastery, Malabe, Sri Lanka.

    Maudgalyāyana (Pali: Moggallāna), also known as Mahāmaudgalyāyana or by his birth name Kolita, was one of the Buddha's closest disciples. Described as a contemporary of disciples such as Subhuti, Śāriputra (Pali: Sāriputta), and Mahākāśyapa (Pali: Mahākassapa), he is considered the second of the Buddha's two foremost male disciples, together with Śāriputra. Traditional accounts relate that Maudgalyāyana and Śāriputra become spiritual wanderers in their youth. After having searched for spiritual truth for a while, they come into contact with the Buddhist teaching through verses that have become widely known in the Buddhist world. Eventually they meet the Buddha himself and ordain as monks under him. Maudgalyāyana attains enlightenment shortly after that.

    Maudgalyayana and Śāriputra have a deep spiritual friendship. They are depicted in Buddhist art as the two disciples that accompany the Buddha, and they have complementing roles as teachers. As a teacher, Maudgalyayana is known for his psychic powers, and he is often depicted using these in his teaching methods. In many early Buddhist canons, Maudgalyāyana is instrumental in re-uniting the monastic community after Devadatta causes a schism. Furthermore, Maudgalyāyana is connected with accounts about the making of the first Buddha image. Maudgalyāyana dies at the age of eighty-four, killed through the efforts of a rival sect. This violent death is described in Buddhist scriptures as a result of Maudgalyāyana's karma of having killed his own parents in a previous life. (Full article...)
  • Image 19 No One Killed Jessica is a 2011 Indian Hindi-language crime drama film written and directed by Rajkumar Gupta. It stars Vidya Balan and Rani Mukerji. Based on the Jessica Lal murder case, the film revolves around a bartender who dies after being shot by a politician's son and her sister's struggle to find justice for her death. Made on a budget of ₹9 crore (US$1.0 million), No One Killed Jessica was released theatrically on 7 January 2011. The film received widespread critical acclaim for its screenplay and cast performances and emerged as a sleeper hit, grossing ₹45.72 crore (US$5.3 million) approximately in its theatrical run. It was nominated for Best Film, Best Director (Gupta), and Best Actress (Balan) at the 57th Filmfare Awards, where it won Best Supporting Actress (Mukerji). (Full article...)
    No One Killed Jessica is a 2011 Indian Hindi-language crime drama film written and directed by Rajkumar Gupta. It stars Vidya Balan and Rani Mukerji. Based on the Jessica Lal murder case, the film revolves around a bartender who dies after being shot by a politician's son and her sister's struggle to find justice for her death.

    Made on a budget of ₹9 crore (US$1.0 million), No One Killed Jessica was released theatrically on 7 January 2011. The film received widespread critical acclaim for its screenplay and cast performances and emerged as a sleeper hit, grossing ₹45.72 crore (US$5.3 million) approximately in its theatrical run. It was nominated for Best Film, Best Director (Gupta), and Best Actress (Balan) at the 57th Filmfare Awards, where it won Best Supporting Actress (Mukerji). (Full article...)
  • Image 20 Nishidhi, a 14th-century memorial stone depicting the observance of the vow of Sallekhana with old Kannada inscription. Found at Tavanandi forest, Karnataka, India. Sallekhana (IAST: sallekhanā), also known as samlehna, santhara, samadhi-marana or sanyasana-marana, is a supplementary vow to the ethical code of conduct of Jainism. It is the religious practice of voluntarily fasting to death by gradually reducing the intake of food and liquids. It is viewed in Jainism as the thinning of human passions and the body, and another means of destroying rebirth-influencing karma by withdrawing all physical and mental activities. It is not considered a suicide by Jain scholars because it is not an act of passion, nor does it employ poisons or weapons. After the sallekhana vow, the ritual preparation and practice can extend into years. Sallekhana is a vow available to both Jain ascetics and householders. Historic evidence such as nishidhi engravings suggest sallekhana was observed by both men and women, including queens, in Jain history. However, in the modern era, death through sallekhana has been a relatively uncommon event. (Full article...)
    Nishidhi stone with 14th century old Kannada inscription from Tavanandi forest
    Nishidhi, a 14th-century memorial stone depicting the observance of the vow of Sallekhana with old Kannada inscription. Found at Tavanandi forest, Karnataka, India.

    Sallekhana (IAST: sallekhanā), also known as samlehna, santhara, samadhi-marana or sanyasana-marana, is a supplementary vow to the ethical code of conduct of Jainism. It is the religious practice of voluntarily fasting to death by gradually reducing the intake of food and liquids. It is viewed in Jainism as the thinning of human passions and the body, and another means of destroying rebirth-influencing karma by withdrawing all physical and mental activities. It is not considered a suicide by Jain scholars because it is not an act of passion, nor does it employ poisons or weapons. After the sallekhana vow, the ritual preparation and practice can extend into years.

    Sallekhana is a vow available to both Jain ascetics and householders. Historic evidence such as nishidhi engravings suggest sallekhana was observed by both men and women, including queens, in Jain history. However, in the modern era, death through sallekhana has been a relatively uncommon event. (Full article...)
  • Image 21 Ra.One is a 2011 Indian Hindi-language superhero film directed by Anubhav Sinha and produced by Gauri Khan under Red Chillies Entertainment. The film stars Shah Rukh Khan in a dual role and Arjun Rampal as the titular antagonist, with Kareena Kapoor, Armaan Verma, Shahana Goswami, Tom Wu, Dalip Tahil and Satish Shah in supporting roles. The name is inspired by Hindu mythological character Ravana. The film, Ra.One, a video game antagonist, escapes from the virtual world and arrives in the real world to hunt down Lucifer, the ID of Ra.One's creator Shekhar Subramaniam's son Prateek, as he had defeated Ra.One in a game. Shekhar gets killed by Ra.One, but Prateek resurrects G.One, the video game protagonist and Shekhar's lookalike, to defeat Ra.One and protect him and his family. Principal photography began in March 2010 and took place in India and the United Kingdom and was overseen by an international crew. The post-production involved 3-D conversion and the application of visual effects, the latter being recognised as a technological breakthrough among Indian films. With a budget of ₹150 crore (equivalent to ₹309 crore or US$36 million in 2023), inclusive of publicity costs, Ra.One was the most expensive Indian film at the time of release, surpassing the ₹132 crore (equivalent to ₹296 crore or US$34 million in 2023) budget of Enthiran (2010). The producers spent ₹150 crore (equivalent to ₹309 crore or US$36 million in 2023), including a ₹52 crore (equivalent to ₹107 crore or US$12 million in 2023) marketing budget, which involved a nine-month publicity campaign, brand tie-ups, merchandise, video games and viral marketing. The film faced controversies involving plagiarism, content leaks and copyright challenges. (Full article...)
    Ra.One is a 2011 Indian Hindi-language superhero film directed by Anubhav Sinha and produced by Gauri Khan under Red Chillies Entertainment. The film stars Shah Rukh Khan in a dual role and Arjun Rampal as the titular antagonist, with Kareena Kapoor, Armaan Verma, Shahana Goswami, Tom Wu, Dalip Tahil and Satish Shah in supporting roles. The name is inspired by Hindu mythological character Ravana. The film, Ra.One, a video game antagonist, escapes from the virtual world and arrives in the real world to hunt down Lucifer, the ID of Ra.One's creator Shekhar Subramaniam's son Prateek, as he had defeated Ra.One in a game. Shekhar gets killed by Ra.One, but Prateek resurrects G.One, the video game protagonist and Shekhar's lookalike, to defeat Ra.One and protect him and his family.

    Principal photography began in March 2010 and took place in India and the United Kingdom and was overseen by an international crew. The post-production involved 3-D conversion and the application of visual effects, the latter being recognised as a technological breakthrough among Indian films. With a budget of ₹150 crore (equivalent to ₹309 crore or US$36 million in 2023), inclusive of publicity costs, Ra.One was the most expensive Indian film at the time of release, surpassing the ₹132 crore (equivalent to ₹296 crore or US$34 million in 2023) budget of Enthiran (2010). The producers spent ₹150 crore (equivalent to ₹309 crore or US$36 million in 2023), including a ₹52 crore (equivalent to ₹107 crore or US$12 million in 2023) marketing budget, which involved a nine-month publicity campaign, brand tie-ups, merchandise, video games and viral marketing. The film faced controversies involving plagiarism, content leaks and copyright challenges. (Full article...)
  • Image 22 Mukkabaaz (Hindi pronunciation: [mʊkkaːbaːz]), released internationally as The Brawler, is a 2017 Indian Hindi-language sports drama film co-written, co-produced and directed by Anurag Kashyap. Jointly produced by Aanand L. Rai's Colour Yellow Productions and Phantom Films, the film stars Vineet Kumar Singh, debutant Zoya Hussain, Ravi Kishan and Jimmy Shergill in the lead roles. It follows Shravan Kumar (Singh), an aspiring boxer, who falls in love with the niece of the boxing federation head, Bhagwan Das Mishra (Shergill). Kashyap, Singh, Mukti Singh Srinet, K.D.Satyam, Ranjan Chandel and Prasoon Mishra wrote the script. Mukkabaaz was conceived by Singh, who wrote it with his sister Mukti Singh, based on his observations of several sportspersons' experiences in India. Several producers rejected it until Kashyap agreed to make the film on the condition that Singh would train to become a real boxer. To prepare, Singh went to the Netaji Subhas National Institute of Sports, where he trained in boxing for a year. Aarti Bajaj and Ankit Bidyadhar edited the film, while Shanker Raman, Rajeev Ravi, Jay I. Patel and Jayesh Nair served as the directors of photography. The score is composed by Prashant Pillai and the songs are composed by Singh, Nucleya and Rachita Arora. (Full article...)
    Mukkabaaz (Hindi pronunciation: [mʊkkaːbaːz]), released internationally as The Brawler, is a 2017 Indian Hindi-language sports drama film co-written, co-produced and directed by Anurag Kashyap. Jointly produced by Aanand L. Rai's Colour Yellow Productions and Phantom Films, the film stars Vineet Kumar Singh, debutant Zoya Hussain, Ravi Kishan and Jimmy Shergill in the lead roles. It follows Shravan Kumar (Singh), an aspiring boxer, who falls in love with the niece of the boxing federation head, Bhagwan Das Mishra (Shergill). Kashyap, Singh, Mukti Singh Srinet, K.D.Satyam, Ranjan Chandel and Prasoon Mishra wrote the script.

    Mukkabaaz was conceived by Singh, who wrote it with his sister Mukti Singh, based on his observations of several sportspersons' experiences in India. Several producers rejected it until Kashyap agreed to make the film on the condition that Singh would train to become a real boxer. To prepare, Singh went to the Netaji Subhas National Institute of Sports, where he trained in boxing for a year. Aarti Bajaj and Ankit Bidyadhar edited the film, while Shanker Raman, Rajeev Ravi, Jay I. Patel and Jayesh Nair served as the directors of photography. The score is composed by Prashant Pillai and the songs are composed by Singh, Nucleya and Rachita Arora. (Full article...)
  • Image 23 Padayappa is a 1999 Indian Tamil-language masala film written and directed by K. S. Ravikumar. It stars Sivaji Ganesan in his penultimate release and Rajinikanth in the titular lead. Ramya Krishnan and Soundarya share other lead roles, while Lakshmi, Radha Ravi, Nassar, Abbas and Preetha play supporting roles. The soundtrack album and background score were composed by A. R. Rahman. The film revolves around the title character and his family being targeted in a generations-long revenge by his cousin Neelambari, a narcissistic woman who was left humiliated after Padayappa rejected her love proposal as he was in love with her good-natured home worker Vasundhara. Principal photography for the film began in October 1998. Padayappa was released on 10 April 1999 on the eve of Tamil New Year's Day. This was the first Tamil film to be released worldwide with 210 prints and 700,000 audio cassettes. It became Tamil cinema's highest-grossing film at that point. Ramya Krishnan's performance was praised, winning her a Filmfare Award under the Best Actress category. The film also won five Tamil Nadu State Film Awards. (Full article...)
    Padayappa is a 1999 Indian Tamil-language masala film written and directed by K. S. Ravikumar. It stars Sivaji Ganesan in his penultimate release and Rajinikanth in the titular lead. Ramya Krishnan and Soundarya share other lead roles, while Lakshmi, Radha Ravi, Nassar, Abbas and Preetha play supporting roles. The soundtrack album and background score were composed by A. R. Rahman. The film revolves around the title character and his family being targeted in a generations-long revenge by his cousin Neelambari, a narcissistic woman who was left humiliated after Padayappa rejected her love proposal as he was in love with her good-natured home worker Vasundhara.

    Principal photography for the film began in October 1998. Padayappa was released on 10 April 1999 on the eve of Tamil New Year's Day. This was the first Tamil film to be released worldwide with 210 prints and 700,000 audio cassettes. It became Tamil cinema's highest-grossing film at that point. Ramya Krishnan's performance was praised, winning her a Filmfare Award under the Best Actress category. The film also won five Tamil Nadu State Film Awards. (Full article...)
  • Image 24 19th–century photo of Babri Masjid The Babri Masjid, a 16th-century mosque in the Indian city of Ayodhya, was destroyed on 6 December 1992 by a large group of activists of the Vishva Hindu Parishad and allied organisations. The mosque had been the subject of a lengthy socio-political dispute, and was targeted after a political rally organised by Hindu nationalist organisations turned violent. In Hindu tradition, the city of Ayodhya is the birthplace of Rama. In the 16th century a Mughal commander, Mir Baqi, had built a mosque, known as the Babri Masjid at a site identified by some Hindus as Ram Janmabhoomi, or the birthplace of Rama. The Archaeological Survey of India states that the mosque was built on land where a non-Islamic structure had previously existed. In the 1980s, the Vishva Hindu Parishad (VHP) began a campaign for the construction of a temple dedicated to Rama at the site, with the Bharatiya Janata Party (BJP) as its political voice. Several rallies and marches were held as a part of this movement, including the Ram Rath Yatra led by L. K. Advani. (Full article...)

    19th–century photo of Babri Masjid

    The Babri Masjid, a 16th-century mosque in the Indian city of Ayodhya, was destroyed on 6 December 1992 by a large group of activists of the Vishva Hindu Parishad and allied organisations. The mosque had been the subject of a lengthy socio-political dispute, and was targeted after a political rally organised by Hindu nationalist organisations turned violent.

    In Hindu tradition, the city of Ayodhya is the birthplace of Rama. In the 16th century a Mughal commander, Mir Baqi, had built a mosque, known as the Babri Masjid at a site identified by some Hindus as Ram Janmabhoomi, or the birthplace of Rama. The Archaeological Survey of India states that the mosque was built on land where a non-Islamic structure had previously existed. In the 1980s, the Vishva Hindu Parishad (VHP) began a campaign for the construction of a temple dedicated to Rama at the site, with the Bharatiya Janata Party (BJP) as its political voice. Several rallies and marches were held as a part of this movement, including the Ram Rath Yatra led by L. K. Advani. (Full article...)
  • Image 25 Chori Chori Chupke Chupke (transl. Secretly and Stealthily) is a 2001 Indian Hindi-language romantic drama film directed by Abbas–Mustan, with screenplay and story from Javed Siddiqui and Neeraj Vora respectively. Starring Salman Khan, Rani Mukerji and Preity Zinta in lead roles, the film's music is composed by Anu Malik and lyrics are penned by Sameer. Telling the story of a married couple hiring a young prostitute as a surrogate mother, the film generated controversy during its release for dealing with the taboo issue of surrogate childbirth in India. Initially set to release on 22 December 2000, Chori Chori Chupke Chupke's release was delayed for several months when producer Nazim Rizvi and financier Bharat Shah were arrested and the Central Bureau of Investigation seized the film's prints on the suspicion that the production had been funded by Chhota Shakeel of the Mumbai underworld. The film was released in March 2001 to a wide audience and emerged as a commercial success, becoming the sixth highest-grossing film of 2001 in India. (Full article...)
    Chori Chori Chupke Chupke (transl. Secretly and Stealthily) is a 2001 Indian Hindi-language romantic drama film directed by Abbas–Mustan, with screenplay and story from Javed Siddiqui and Neeraj Vora respectively. Starring Salman Khan, Rani Mukerji and Preity Zinta in lead roles, the film's music is composed by Anu Malik and lyrics are penned by Sameer. Telling the story of a married couple hiring a young prostitute as a surrogate mother, the film generated controversy during its release for dealing with the taboo issue of surrogate childbirth in India.

    Initially set to release on 22 December 2000, Chori Chori Chupke Chupke's release was delayed for several months when producer Nazim Rizvi and financier Bharat Shah were arrested and the Central Bureau of Investigation seized the film's prints on the suspicion that the production had been funded by Chhota Shakeel of the Mumbai underworld. The film was released in March 2001 to a wide audience and emerged as a commercial success, becoming the sixth highest-grossing film of 2001 in India. (Full article...)
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9 February 2025 – Naxalite–Maoist insurgency
Thirty-one Maoist militants and two security forces are killed during a shootout around Indravati River in Chhattisgarh, India. (Al Jazeera)
7 February 2025 –
German Federal Police detains 16 Indian nationals found in a van in Aachen, North Rhine-Westphalia, including 15 passengers and the driver, as they attempt to enter the country without valid documents. (DW)
29 January 2025 – 2025 Prayag Kumbh Mela
At least 30 people are killed in a crowd crush at a Hindu festival in Prayagraj, Uttar Pradesh, India. (BBC News)
29 January 2025 – 2025 Light Air Services Beechcraft 1900 crash
A Beechcraft 1900D carrying employees of an oil company crashes in Unity, South Sudan, killing 20 of the 21 people onboard, including one Indian and two Chinese nationals. (CNN) (Reuters)
27 January 2025 – China–India relations
Following the meeting between Indian Foreign Secretary Vikram Misri and Chinese Foreign Minister Wang Yi in Beijing, China and India agree to resume direct air travel between the two countries after a five-year hiatus. (CNA).

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